Zarządzanie w Kulturze – Pierwsze polskie recenzowane pismo naukowe poświęcone problematyce zarządzania w obrębie działalności twórczej. Prezentowane teksty dotyczą aktualnych zjawisk w zarządzaniu instytucjami kultury oraz projektami niezależnymi i pozarządowymi. Autorzy koncentrują się zarówno na zauważalnych trendach organizacyjnych, jak i sposobach formułowania przekazów kulturotwórczych i zdolności odpowiadania na zapotrzebowanie estetyczne współczesnego społeczeństwa. Zarządzanie w Kulturze jest przestrzenią do nowatorskiej, odważnej i poszukującej nowych metodologicznych ścieżek dyskusji o organizowaniu, finansowaniu, tworzeniu i odbieraniu kultury. Strona WWW | ISSN 1896-8201 | e-ISSN 2084-3976 | Częstotliwość kwartalnik | Punkty MEiN: 20
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Prawosławie, czyli poszukiwanie własnej tożsamości przez mniejszość eklezjalną na terenach Czechosłowacji
Orthodoxy, or searching for identity by a church minority in Czechoslovakia In the 20th century, in the Czechoslovak territory the Orthodox constituted a variously numerous minority. The number of adherents depended, among others, on the shifting state borders. However, the geopolitical changes were not the only factor of influence, both in the identity construction and the way of its presentation. As for historical factors, there were also population flows (different types of migration), as for canonical factors, the changes in jurisdiction, and as for theological ones, mainly the bonds with particular centres of the Orthodox Church worldwide, the relation to the past and self-demarcation vis-à-vis the majority Catholic Church. The aim of this article is to attempt to systematize these factors.
Prawa autorskie (c) 2016 Zarządzanie w Kulturze
Ignorance versus degradation? The profession of Gypsy bear handlers and management of inconvenient intangible cultural heritage. Case study – Romania (I)
Since the beginning of the 21st century, we have been witnessing an increasing number of entries on the UNESCO list of intangible cultural heritage. With them, critical scientific trends describing its positive and negative effects began to emerge. In this article, I discuss the sense of such entries, showing their evaluative dimension as well as the difficulties of recognizing the areas of minority cultures as heritage – the areas which despite meeting all the entry criteria are in conflict with the modern ideas of European culture. I analyze these issues, using the Gypsy/Romani culture as an example – and more specifically the profession of bear handlers in Romania, which, due to its numerous similarities in history, training methods and folklore, I treat as representative of other European regions too. The text discusses the possible origins of this occupation, the place of the Ursari in the Romanian social structure together with their financial situation, and the attitude of the Church and State to bear handlers. It also presents the methods of animal training the Gypsies have used and passed on through the centuries, as well as the reasons why this profession has been disappearing in Romania. In the final (second) part of the article, I will discuss whether there is such a thing as the management of Ursari heritage (versus the management of inconvenient heritage), and if there is – what it entails. The article uses qualitative research methods, including the analysis of historical sources (docu-ments from the offices of Moldovan, Wallachian and Transylvanian rulers and descriptions written by people travelling across former Romanian territories dated 14th–19th centuries) and ethnographic sources. In addition, the analysis also focuses on visual sources from Romanian territories associated with the Ursari as well as on the sources used during my own pilot ethnographic study on the cultural memory among the Roma from Romania.
Kościoły rzymskokatolickie międzywojennego Wołynia: ich powstanie i zachowanie w kontekście pamięci/zapomnienia
Roman Catholic churches of the interwar Volyn: their construction and preservation in the context of memory/oblivion The sacral architecture of the interwar Volyn was one of the realizations of the national idea and reflected the nation-building processes in the interwar Poland, which were visualized on the levels of both space and objects. The formation of a new architectural layer became a symbol of socio-cultural and civilizational transformations, which took place in the region in 1920-30s. The integration of stylistically new objects into the existing urban environment meant transferring new social ideo­logemes and spiritual values and, as a result, creating a new symbolic system. At the same time, preserving old temples (as well as defensive buildings) in this environment made use of the past for the purpose of the present. Political changes in the second half of the 20th century concluded into a dual attitude to the sacral heritage of the interwar period in Volyn, which reflected the ideo-logical motivation of the “memory-oblivion” paradigm formation. On the one hand, the existence of this monument group was denied (they didn’t match the socialistic cultural model). On the other hand, the artistic value and esthetic potential criteria dominated in evaluation of certain buildings. The problem of the temple construction and heritage preservation in Volyn arises because of the essentiality of this process not only to regional history, but to the history of Poland, Ukraine and Europe in general.
Ochrona dziedzictwa kulturowego mniejszości narodowych i etnicznych w Konstytucji RP z 1997 roku
Protection of the cultural heritage of national and ethnic minorities in the Polish Constitution of 1997 The paper focuses on the protection of the material cultural heritage of national minorities and ethnic minorities in the Constitution of the Republic of Poland. Heritage protection is a responsibility imposed on public authorities. It should be noted that it is an obligation of general application and refers to the whole inheritance. The Constitution regulates the issues of protection of national minorities and ethnic minorities in very general terms, so general rules are applied.
Strategie ochrony i identyfikacji niematerialnego dziedzictwa kulturowego – działania w ramach narodowych polityk kulturalnych a zaangażowanie lokalnych społeczności
Strategies of protection and identification of intangible cultural heritage: actions taken within national cultural policies and the involvement of local communities The UNESCO Convention for the Safeguarding of Intangible Cultural Heritage of 2003 has established a new, holistic approach to cultural heritage and a new set of administrative and legal instruments and strategies of identifying, preserving, managing and promoting intangible cultural heritage. The policy of intangible culture entails the conceptualisation of the elements of intangible heritage in the national cultural policy framework. Administration strategies and methods are often confronted with scientific contextualisation and various policies of representation and identification. Thus, while articulating the idea of the growing importance of intangible cultural heritage, national authorities increasingly construct national inventories through processes of worldwide networking and positioning through symbolic meanings such as “national issues” and “national culture”. The paper presents a brief review of administrative and legal measures and policies concerning the intangible cultural heritage of selected countries with a special emphasis on the community-based approach in the identification and safeguarding processes.
narodowe inwentarze niematerialnego dziedzictwa kulturowego
narodowe listy niematerialnego dziedzictwa kulturowego
Zarządzanie dziedzictwem kulturowym na podstawie wartości
Cultural heritage management based on values Cultural heritage management is perceived today as a modern system for the protection of historical monuments. However, the original meaning of heritage is intangible: with the emphasis shifted from the object (monuments) to the subject (recipients). Therefore, not only objects but also people become the area of interest. The aim of this article is to present the concept of heritage management based on values. Literature analysis indicates that numerous values are attributed to historical monuments; the article enumerates almost 130 of them. Drawing upon the experience of axiology, the values should be divided into objective (belonging to the object) and subjective (belonging to the recipient). It will allow for an even better identification of heritage resources, and for adjusting the methods of heritage protection, education and promotion. The presented concept is a starting point for the elaboration of modern methods of preserving the relicts of our past and making use of them by contemporary generations.
The Trope Tank. The idea of a lab in humanities. Nick Montfort* in conversation with Piotr Marecki
Wykorzystanie najnowszych narzędzi cyfrowych w pracy regionalnych dziennikarzy na przykładzie „Dziennika Zachodniego”
The use of the latest digital tools by regional journalists on the example of Dziennik Zachodni Nowadays, the needs of the consumer force the media to behave in a way that will enable them to survive on the competitive market. Publishers functioning on the daily press market take actions aimed at the diversification of their medium, investing in the Internet. Such actions include creating not only an online edition of the newspaper, but also multimedia portals, new services and the use of the network dialogism considering its current and future potential. It is impossible not to notice the increasingly powerful connection between the printed press and Internet projects. It is caused by economic aspects, as publishers rarely count on revenues solely from the sale of information and advertising. Intense competition forces them to change the characteristics of their products and expand ways to reach both readers and advertisers. One example of the above phenomenon is Dziennik Zachodni – the winner of the Grand Press Digital award granted by Press editors for its innovative approach to the use of modern technologies in journalistic work.
Animacja jako sztuka pamiętania. Doświadczenia Ośrodka „Pogranicze – sztuk, kultur, narodów” w Sejnach
Animation as an art of remembering. The case of the “Borderland of Arts, Cultures and Nations” Centre in Sejny The author refers to the experience of the “Borderland of Arts, Cultures and Nations” Centre in Sej­ny, active on the Polish-Lithuanian border, and illustrates how the animation of culture can deal with the “difficult memory” present in Central and Eastern Europe, as well as how this kind of involvement can support people in developing their identity. In this sense, the animator becomes a humanist: comprehensively educated and conscious of the intellectual and personal development of both him/herself and others. Having in mind the uniqueness of such an undertaking, it is also important to notice that the original formula of such a centre – developed according to its leaders’ personal ideas – may become a genuine brand of Polish culture.
Polityka repertuarowa Teatru Polskiego w Bydgoszczy w latach 2006–2014. Aspekty edukacyjne i poznawcze
Repertoire policy of the Polish Theatre in Bydgoszcz in the years 2006–2014. Educational and cognitive aspects The purpose of this paper is to demonstrate the role of theatre education in creating a coherent and well-thought repertoire policy of an institution. In this context, questions arise about the role of culture in education and in shaping social attitudes as well as critical thinking skills. The author analyzed the research problem on the basis of selected educational activities (aimed at different audiences) carried out at the Polish Theatre in Bydgoszcz. The use of theatrical and quasi-theatrical forms in education/pedagogy implies not only the development of sensitivity to art, but above all, breaking down communication barriers and gaining new experience and knowledge.
Problemy i pułapki kwalifikowalności wydatków w projektach współfinansowanych z FS i EFRR w obszarze kultury
Problems and traps of the eligibility of expenditure in projects co-financed by ERDF and CF in the field of culture The structural and cohesion funds play a very significant role in financing investments in the cultural sector in Poland. The eligibility of expenditure under the European Structural and Investment Funds is determined on the basis of national legislation, with the exception of cases in which specific provisions were laid down in the EU Regulations or under them. This means that the detailed requirements and rules for incurring costs, documenting them, as well as settling them are practically determined on the level of the EU Member States. Therefore, the national regulations largely determine the degree of difficulty in correctly settling the costs of a project, which in turn affects the absorption capacity of EU funds. Most frequent errors in spending the EU money concern the eligibility of expenditures. To attract a structural fund support, expenditure by projects must be eligible in terms of the Operational Programme, the relevant EC Regulations and the national eligibility rules. Based on the author’s practical experience and the content analysis of formal documents as regards the European cohesion policy, this paper presents problems of determining the eligibility of expenditure in the case of cultural projects. Irregularities in the disbursement of funds may lead to the imposition of financial corrections onto beneficiaries, or to deeming the whole or part of the expenditure as non-eligible. The author suggests how to avoid irregularities as regards personnel costs and public procurement rules on the national and European Union level in projects co-funded by the European Regional Development Fund and the Cohesion Fund.
Trends in cultural policy and culture management in Poland (1989−2014) (II)
Setting aside the fact that the lack of a policy is also some kind of policy, while analyzing the events of the last 25 years in cultural policy, from the perspective of the year 2014, can we really say that there is no cultural policy in Poland? The author describes and analyzes the changes in culture management and cultural policy in Poland from the last quarter of a century. The responsibility for cultural policy rests not only with the central authorities, the Ministry of Culture, but also with local governments, which more and more frequently include citizens in the decision-making process. The citizens themselves are becoming more and more aware of their rights. Apart from cultural institutions, non-governmental organizations more and more often become the contractors of public tasks. They co-create and enrich the cultural offer of cities and regions significantly. Not only the number of non-governmental organizations but also their creativity and the professional level of their actions are increasing. Cultural activity is more and more often undertaken by private economic operators (not only art galleries, but also artistic agencies and impresarios). They cannot count on subsidies from local governments any more, but they can become contractors of services at their request under the Public Procurement Law, which, thanks to the last amendment (raising the threshold for public procurement to more than 30,000 EUR), will become a bit easier from the procedural point of view. The role of public cultural institutions is changing. Many of them have redefined their mission and have been successively building new relations with the audience, taking into consideration the changing needs of the consumers and new economic conditions. Despite the underdeveloped sponsorship in Poland, many of them use the conceptions of CSR and CCR, while others diversify their offer, in terms of both the merits and the price, often introducing a commercial offer as a complementary one. The new infrastructure in Poland, in case of many cultural institutions, contributed to a substantial change and improvement of their conditions. After many years of a total investment stagnation in this sphere, together with Poland’s accession to EU, the Polish state and local governments started to undertake tasks in this area more bravely. New infrastructure naturally generates the need for innovation. Cultural institutions more willingly and effectively make use of the new media today (communication with the audience, mailing, FB, promotion, marketing, crowdfunding, crowdsourcing). They more often see the importance of spending money on marketing activities, which they used to economize on in case of a shortfall of funds for substantive activities.
Kierunki rozwoju polityki kulturalnej w Polsce po 1989 roku. Koncepcje ministerialne (II)
The Development of Cultural Policies in Poland after 1989. Ministerial Concepts (II) The article refers to the development of cultural policies in Poland after the collapse of Communism in 1989. The text offers a critical approach to the succeeding ministerial concepts of cultural changes planned for the transition period. The author explores various documents and the governmental papers published by the Polish Ministry of Culture as well as some national programmes, actions and declarations. The article presents a broad overview of the nature of changes in Polish culture since 1989 until 2014. It was a specially troublesome time. The Polish artists, activists and operators moved from a centrally organised political and cultural system to a decentralised liberal democratic country, in which the freedom of expression was guaranteed and a new management system was introduced and adopted.
polska transformacja ustrojowa w kulturze
The Unwanted Auschwitz The heritage of Auschwitz from the local perspective of Oświęcim appears differently − personally. It is a stigma the town residents have to face every day when fulfilling their own needs and life aspirations, both in the semantic sense (a stigmatising name) and in the material sense (the remains of the camp in the city space). Comments, opinions and criticism concerning the city’s development are received from all over the world. The former camp conservation requirements impose development restrictions for the protection of the place which was created without the participation and consent of the local community. The question asked many times in Oświęcim: “Where does the former camp end and normal life begin?” may be incomprehensible from outside, but is painfully valid here. Highly publicised conflicts, unsolved for years, in which the local heritage becomes meaningless, are caused by the coexistence of the memorial place and urban space. The population of Oświęcim living “in the shadow of Auschwitz” become a social minority for the world, marginalised in the face of the atrocities of the genocide committed here. On the other hand – the moral dimension of Auschwitz either paralyses local initiatives or supports extreme attitudes. The worldwide debate about Auschwitz lacks the local perspective, whereas the local community lacks the historiosophical view and the understanding that today you can reach Oświęcim only through Auschwitz.
Dziedzictwo kultury żydowskiej w Polsce – badania proweniencji muzealiów – specyfika, cele, korzyści, zagrożenia (?)
Jewish Cultural Heritage in Poland: Provenance Research – its Nature, Aims, Benefits and Risks (?) In pre-1939 Poland, there existed the biggest Jewish diaspora in the world (numbered 3.5 million people). It was also the most important centre of Jewish culture. Unfortunately, as a result of the Holocaust, only a small part of the Jewish cultural heritage survived until nowadays. Only about 400 thousand of Jews survived. Despite this fact, in the years 1946–1950 Jewish institutions – the Central Committee of Jews in Poland and The Jewish Society of Promoting of Fine Arts among others – were engaged in gathering and saving objects of Jewish religious art, fine arts and crafts, books, documents and others. They were gathered mostly at the Jewish Historical Institute in Warsaw and also as museum collections. Unfortunately, the origins of these objects haven’t been sufficiently investigated. The accession to the European Union obligated the Polish government to adopt the international agreements connected with the Jewish heritage in Poland: Washington Conference 1998, Resolution of the Council of Europe no. 1205, 1999 as well as Vilnius Declaration 2000 and Terezin Declaration 2009. According to those agreements, in the years 2009–2011 the Ministry of Cultural and National Heritage took efforts to prepare museums to lead provenance research, however unsuccessfully. Nowadays, according to my research, a large number of Polish museums does not carry out any provenance research of objects of unknown origin which may have belong to the Jewish heritage. The main reasons for that are: weak interest in provenance problems and their relation to the Polish and Jewish cultural heritage, too many demands and aims to achieve by museums, luck of funds, fear of restitution, and, last but not least, a weak support of the Ministry of Cultural and National Heritage. Nevertheless, it appears that benefits of the provenance research are more important than the fear of it. First of all, such research contributes to the development of the humanities in Poland, especially art history. Further, it increases trust of Polish and non-Polish citizens in cultural institutions and the government. The fulfillment of the international resolutions mentioned above would improve the image of Poland in the European Union.
Narracje dotyczące kategorii „pamięci niechcianej”o traumatycznych wydarzeniach historycznych, obecne w polskich muzeach
The narratives on the category of the “unwanted memory” of traumatic historical events present in Polish museums The article presents the problem of unwanted memory based on the analysis of narrative exhibitions, conducted in two Kraków museums – the Oskar Schindlerʼs Enamel Factory, which is a branch of The Historical Museum of the City of Kraków, and the Home Army Museum. The Schindler’s Factory permanent exhibition Kraków under Nazi Occupation 1939−1945 presents the fate of Kraków Jews and Poles under Nazi occupation during World War II, as well as the history of the manager and employees of the factory (during WWII bearing the name of Deutsche Emailwarenfabrik). The exhibition in the Home Army Museum presents the history of the Polish Underground State as an armed and ideological formation, and also the history of the Home Army and its named and unnamed soldiers. Both permanent exhibitions are part of a research area of unwanted memory, touching upon a subject which is very difficult for many types of customers, both individual and collective. This issue is still subject to analysis and has no precise definition or clearly defined research methodology. The recurring attempts to define the unwanted memory, in the opinion of the author of the article, are a great chance to create a dialogue between the parties in many current problematic discussions.
Muzeum Armii Krajowej im. Gen. Emila Fieldorfa „Nila”
Czy muzea martyrologiczne potrzebują marketingu?
Monuments of martyrology: Do they need marketing? Martyrological museums form a specific group within Polish historical museums. These museums not only collect historical artefacts specific for them but also deal with important and hard to understand matters of human beings, such as death, genocide, Holocaust, and the dark part of human nature. This article presents aspects of these difficult matters and their influence on the marketing activities of these institutions. For this purpose, the condition of Polish museums with emphasis on martyrological museums is described, as well as the history of Polish museology before, during and after World War II. The article presents the technical and ideological development of martyrological museums, with regard to the relevant legislation. It shows the difficult situation of Polish museums after WWII and its great influence on Polish culture and civilisation. Taking into account the present-day development of technology and the needs of modern society, it describes the most popular forms of marketing in cultural institutions. On this basis, the marketing strategies of martyrological museums are analysed. The analysis shows that the life and emotional testimonies of former victims and torturers make these marketing forms inappropriate and – in fact – useless. A solution could be to present these difficult issues through art, both in traditional forms, e.g. by presenting drawings made in camps by former victims, and in modern ways, such as movies or comics.
ustawy dotyczące muzeów martyrologicznych
Museum boom continues: on the phenomenon of museums of contemporary art from a Central European perspective
Since the 1990s Central Europe has been making up for the time lost in different spheres of life. The new century marked the beginning of the development process of museum infrastructure – a process that despite the economic crisis of the end of 2010s has been going on. Every year new museums openin in both the historical and art sector, and especially those dealing with contemporary art. Nonexistent before 1989, museums of contemporary art constitute a new type of institution in the region. Their role is not only to collect the latest art and performance, but also to make connections between art and life. Considering the low regard of contemporary art in public life, the museum boom in the field of contemporary art is indeed a phenomenon. In every larger city in Poland, as well as in the Czech Republic, Hungary and Slovakia, attempts are being made towards the creation of a museum or centre of contemporary art. The aim of this article is to present and discuss the phenomenon of building new art museums in Central Europe, with emphasis on the mechanisms of their creation and local specificities. This museum-building frenzy that started in Central Europe at the beginning of the 21st century should be considered as part of the worldwide museum building boom. Various aspects of the museum boom are discussed in several points: 1) the grand vision for Warsaw – the desire to become an icon, 2) the political vision for museums, 3) contemporary art in the regions, 4) new spaces for old museums, 5) private patronage and non-governmental organisations. Central European institutions that were established during this period meet the expectations of cultural circles, politicians and patrons. In most cases, the stories of building the museums echo the Western fashion for icons and the tendency to adapt post-industrial architecture for the purposes of art.
Misja instytucji kultury na przykładzie muzeum – po co i jak ją tworzyć
The article presents a concise overview of arguments for and ways of formulating the mission statement of a culture institution on the example of a museum. The issue is described on the basis of existing literature. The article provides an explanation of the notion of the mission statement, a justification for its creation and a description of its form. There is also a description of the mission statement preparation process, including a short analysis of the Ashridge Model. The author suggests that a well-formed mission statement which is implemented in specific actions contributes to the effective management of an organization. The advice which the article offers can be used by culture managers in the process of creating mission statements for museums or other non-profit institutions and organizations operating in the cultural sector.
Recenzja artykułu Adama Dzidowskiego, Antropologia wizualna organizacji, „Problemy Zarządzania”, 2011, nr 2 (32), s. 51-62.
Recenzja książki Zarządzanie w kulturze, sztuce i turystyce kulturowej, J. Gołuchowski, Z. Spyra (red.), CeDeWu, Warszawa 2014
The Role of Formal Belief and Religious Indifference in Accepting the Conformist Social Orientation in Post-Soviet Society: The Lithuanian Case
The studies of present religious situation in Eastern Europe based mainly on quantitative surveys show differencesfrom the Western Europe secularization process and detect more contradictory changes here, but they only draw inferences on the religious past about the post-Soviet situation in different Middle and Eastern European countries. The novelty of this study is to analyze how former social experiences have influenced the social life of present formal believers and the religious indifferent in Lithuania, who are representedby numerous vague Catholics as well as an indefinite group of religious indifferent formed during the Soviet regime and due to the peculiarities of their social and personal experiences. Two types of empirical research methods (quantitative and qualitative) are used for the research question,applying the development principlein a sequence with the ‘quantitative preliminary’ and ‘qualitative follow-up’ for elaboration, enhancement, illustration, and clarification of the results from one method with the results from the other one. This yieldsa better understanding of the religious attitudes and social behavior of this group. Meanwhile the complementarity principle,where two methods of empirical research are used to assess different aspects in forming a new social group of vague Catholics and religious indifferent,gives possibility to analyze how the experiences of the Soviet regime manifestthemselvesin their personal lives of the post-Soviet situation with forming a specific phenomenon in the direction of religious identity and general social orientations. On the basisof oral life histories three types of religious indifference are distinguished.
Thematisation of the revitalized space– a problem or a necessity? The article focuses on the issue of thematisation of revitalized space. This phenomenon is increasingly visible in Poland, a country where urban renewal and post-industrial space were not considered on a large scale until the early twenty-first century. The issue will be illustrated by a few examples - Gdansk Shipyard, Kazimierz and Nowa Huta in Krakow, and the Nikiszowiec estate in Katowice.
Innovation in Cultural Sector - Definition and Typology
The article addresses the issue of innovative activities in the cultural sector as a key driver of change. This article examines how innovation can be defined and categorized in the cultural sector. It focuses on innovation typologies giving special attention to the existing statistical framework of cultural activities and to guidelines for innovation data collection in their interconnection, as well as to the phenomena of ‘soft’ and ‘hidden’ innovation. An attempt is also made to extend the term ‘innovation’ beyond the traditional understanding in a way that it reflects the specificity of the cultural sector.
Zarządzanie „pamięcią niechcianą” o artyście. Studium przypadku „poety wyklętego” Rafała Wojaczka
Management of the “unwanted memory”of an artist. A case study of the “accursed poet,”Rafał Wojaczek This article presents the memory management of the poet from the perspective of the category of “unwanted memory”—a new and potentially promising research field. The “unwanted memory,”which followed the development of intensive studies of individual, collective and historical memory initiated at the beginning of the 20th century, is a concept needed in public and scientific discourse. The analysis of examples of hard, painful events in the history of independent Poland (1stand 2ndWorld War, brutal attacks against Jews, Lemko and Boyko; Communist occupation after WW II) proved the deep need for the “unwanted memory,”which would allow for substantive classification and interpretation of historical events. The article focuses on discussing the category of “unwanted memory”on a particular example —the poet RafałWojaczek (1945-1971), who is considered among the controversial “accursed poets”in Polish literature of the 20thcentury. The memory of this eccentric character is ambiguous among the many categories of recipients (or “carriers of memory”) —family, friends, acquaintances and readers, which shows the difficulty of a clear reception of the artist. An important point of consideration of this paper are the reflections of the “unwanted memory”in the context of management as a process that can be implemented by individuals (e.g. by family, friends, historians, writers), associations, foundations and public institutions. In the case of Wojaczek, the main guardian of the memory is the Mikołowski Institute, located in the poet’s hometown, which takes large-scale actions to protect the tangible and intangible heritage of the artist and promote his work nationwide.
Jan Krasnowolski: minimalizacja i deklasacja
Jan Krasnowolski: minimalism and declassation Borrowing tools from Pierre Bourdieu's theory of class struggle, the authors of the article analyze strategies of declassation on the example of the biography of the writer Jan Krasnowolski, and study the effects of this decision on both his texts and the construction of his image. The process of class change, of going from the privileged position of intelligentsia to the position of the working class, is presented as a kind of conscious (in a way also esthetic) choice, motivated by factors like the will to acquire new experience that is inaccessible to the higher classes. The authors of the article analyze literary texts by Krasnowolski (consistent minimalism as opposed to sublime excess; masculine, stereotypically presented topics), their adherence to genres (lad lit, a kind of literature for men), as well as the author's interviews and statements, and paratexts like biographical notes on the covers of books. Other tools used for the analysis of the phenomenon of declassation include the findings of the empirical research on classes in Polish society after 1989 conducted by Maciej Gdula.
Recenzja artykułu Katherine Nölling Dobro kultury czy kultura jako dobro − rozważania w ujęciu ekonomicznym
Recenzja artykułu Katherine NöllingDobro kultury czy kultura jako dobro − rozważania w ujęciu ekonomicznym
Salon Heleny Modrzejewskiej realny (Emil Orzechowski) i wirtualny (Aneta Maj)
Laudacja prof. zw. dr. hab. Emila Orzechowskiego
Dziennikarska autopoiesis. Samoocena i samoregulacja dziennikarska w dyskursie
The journalistic autopoiesis. Journalistic self-regulation and self-esteem in discourse This article examines journalism considered as a profession, an attitude towards the world, and a public and ethical duty requiring charisma and leadership. Through analyzing the media system the author concludes that the journalistic identity currently undergoes a crisis. This paper sketches out the assumptions on which a theory of self-definition, self-regulation and self-esteem in journalism is based, as well as the kind of insights it promises, and how it can be applied in journalism research and practice. The paper is an attempt to consider and compare the contemporary issues of professional identity based on the crisis of leadership in journalism and media.